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Stephanie Metz
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In the Studio
Stephanie Metz
Contact/About
Work
News
Shop
Workshops
Commissions
In the Studio
Contact/About
Work
News
Shop
Workshops
Commissions
In the Studio
Stephanie Metz Sculpture - Shop Curve Composition: Erosion, industrial felt and wood, 24 x 20 x 5 inches, 2022
Erosion front.jpg Image 1 of 4
Erosion front.jpg
Erosion Detail Stephanie Metz.jpg Image 2 of 4
Erosion Detail Stephanie Metz.jpg
Erosion Left Side Stephanie Metz.jpg Image 3 of 4
Erosion Left Side Stephanie Metz.jpg
Erosion Right Side Stephanie Metz.jpg Image 4 of 4
Erosion Right Side Stephanie Metz.jpg
Erosion front.jpg
Erosion Detail Stephanie Metz.jpg
Erosion Left Side Stephanie Metz.jpg
Erosion Right Side Stephanie Metz.jpg

Curve Composition: Erosion, industrial felt and wood, 24 x 20 x 5 inches, 2022

$2,000.00

This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

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This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

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